Skip to main content

Female artists are finally in our galleries – let's keep them there

Galleries are finally choosing to exhibit works by women – but will they stay on the walls once the trend for representation has passed? It’s all of our jobs to ensure they do

On the face of it, 2018 was a good year for female artists. Museums and galleries across the UK staged exhibitions on historic and contemporary female artists, with events that celebrated 100 years since British women won the right to vote. But now that the bunting has been taken down and the suffragette sashes stowed away, will women still get wall space in our public museums? Are they here to stay or will they have to make way for the next fad?

It’s certainly true that over the past few years, public museums have begun redressing the gender imbalance in their collections. When Tate Modern opened its major extension in 2016, director Frances Morris made a point of dedicating half of the new gallery space to women artists, increasing the percentage on display across the museum from 17% to 36%. And in 2020, the National Gallery will stage its first solo exhibition on a historic female artist – the 17th-century Italian baroque painter Artemisia Gentileschi.

Continue reading...

from Culture | The Guardian http://bit.ly/2CYCfSo

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV