Skip to main content

Resistance by Julián Fuks review – battling with the past

The exile of an Argentinian family and an adopted brother’s origin story drive this intense autofiction about the search for roots

Between 1976 and 1983, the military dictatorship in Argentina instituted state terror. According to the Mothers of the Plaza de Mayo, who bravely began demonstrating in the midst of the “dirty war”, 30,000 of their children were disappeared. Along with the Mothers came the Grandmothers of the Plaza de Mayo, whose specific aim was to locate the babies taken from so-called “subversive” mothers and given up for adoption, many to the military. Some babies were snatched from mothers by midwives just before the inevitable arrest and handed on to parents desperate for a child.

The narrator of Julián Fuks’s intense and hypnotic autofiction has an adopted brother who may have come into the family in this dramatic way. The stories their parents tell, despite the fact that both of them are psychoanalytic psychiatrists, never quite seem to satisfy the younger brother’s search for an answer to his brother’s origins as well as to his tangible difference. Like his older sister, the narrator was born once the parents – warned by a tortured colleague that arrest was imminent – had already escaped and settled in Brazil.

Continue reading...

from Culture | The Guardian http://bit.ly/2LGU3Wo

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...