Skip to main content

'It sent my heart into a flutter of tiny explosions': your top films of 2018

We asked you to tell us what you watched on the big screen this year and why you think it’s worthy of celebration

What does it mean to be a man? If everything that you use to define yourself is taken away, what’s left? No film this year hit me as hard or has had such a lasting impact, and thinking of certain scenes forms a lump in my throat. In a year where toxic masculinity has been at the forefront of western culture, The Rider deftly interrogates ‘manliness’, fathers and sons, and fraternal relationships between men. An astonishing piece of work. Jake Harvey, 35, Leicester

Continue reading...

from Culture | The Guardian http://bit.ly/2Al1i1L

Comments

Popular posts from this blog

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs