Skip to main content

If Not Critical by Eric Griffiths review – lit-crit masterclasses

An age has passed ... A collection of the controversial critic’s lectures showcases his distinctive style and astonishing range

This is a book of 10 lectures by a literary critic generally considered to be one of the greatest of his age. That age has now passed: Eric Griffiths died in September, having been a fellow of Trinity College, Cambridge for more than 30 years.

Griffiths was an old-school don who would certainly fare ill in an age of student feedback forms and an academic culture of publish or perish. He published just one complete book, The Printed Voice of Victorian Poetry (1989), which consists of a series of detailed readings of the work of Tennyson, Browning, Hopkins and others, and attends to the challenges faced by both writers and readers in interpreting the concept of “voice” in its various meanings and implications. His own tone and intent could be difficult to interpret. Ferocious and exacting, he could be fabulously rude: 20 years ago he became momentarily famous after he was accused by an applicant to Trinity of mocking her accent and being rude about her home county of Essex. He was probably joking – or drunk. Neither, clearly, is any kind of excuse, and he reduced many students to tears. But he could also be extraordinarily kind.

Continue reading...

from Culture | The Guardian http://bit.ly/2SrktOq

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

Elena Ferrante: ‘Solaris is not Tarkovsky’s best film, but it made the greatest impression on me’

Solaris is astonishing because the book that inspired it doesn’t seem to contain Tarkovsky’s film A film that I watch at least once a year is Andrei Tarkovsky’s Solaris . I’ve loved all of Tarkovsky’s works, even the most difficult. Some I’ve seen in the cinema, others on television. I saw Andrei Rublev at the cinema, and on the big screen it was astonishing, its black-and-white extraordinary: I’ll probably never see it again in a cinema, but I hope that young people will have the opportunity. I also saw Solaris on the big screen – not Tarkovsky’s best film, but the one that made the greatest impression on me. I remember that it was advertised as the Soviet answer to 2001: A Space Odyssey – a completely misleading slogan. To see in it a cinematic contest between the US and the USSR was as silly as it was misleading. Kubrick’s marvellous film, with its imaginative force, would certainly win. But it doesn’t have even a hint of the desperation, of the sense of loss, that dominates Sol...