The singer-songwriter’s lyric collection is free of explanation yet still explores her curiosity for life and love
Trust Kate Bush, never one to explain, to complicate the straightforward lyrics collection. She doesn’t annotate this anthology, unlike Neil Tennant’s recent Faber edition. Instead, subtler direction follows an introduction by author David Mitchell, who wrote the spoken-word parts of Bush’s 2014 Before the Dawn performances. Mitchell intermingles charming fannish detail with close textual analysis that illuminates familiar songs: it is God, he points out, not the devil, who allows the man and woman to exchange their sexual experiences on Running Up That Hill, an act of divinity rather than transgression.
But Mitchell is wrong on one key point. “Kate’s the opposite of a confessional singer-songwriter in the mould of Joni Mitchell during her Blue period,” he asserts. “You don’t learn much about Kate from her songs.” Which begs the question of how we might know a songwriter. It’s true that Bush’s personal life is so opaque that an interview betraying her Netflix habits offered grounding intimacy. Another where she described Theresa May as “the best thing that’s happened to us in a long time” burst a bubble some fans were keen to preserve. More dispiriting than partisan matters was her opinion that “it is great to have a woman in charge of the country”. If Bush’s songwriting tells us anything, it’s that her understanding of gender and power is typically more complex.
Continue reading...from Culture | The Guardian http://bit.ly/2ArVpQd
Comments
Post a Comment