Skip to main content

Goldilocks and the Three Bears review – a turbocharged panto with pizzazz

Theatre Royal, Newcastle
Placing the story in the context of two rival circuses, Michael Harrison’s show boasts jugglers, skaters and motorcyclists

If you want the secret behind the UK’s fastest-selling panto, look no further than Danny Adams. For the past 14 years, the rubber-legged entertainer has worked tirelessly with his father, Clive Webb, to generate a phenomenal north-east success. As Danny the Clown in this year’s turbocharged offering, he hits the stage with a determination to give every last person a good time and manages to make a big room feel small.

His appeal is not so much in being witty or cute as in his tornado-like energy. Sure, he can handle a gag and his cheeky-chappy grin is infectious, but it’s his athletic level of commitment that wins you over. No routine is complete without him bounding into the auditorium or legging it across the stage, coyly pirouetting en route. Even when his schoolboy humour teeters towards the smutty, he has too much charm and hyperactive energy to lower our spirits.

Continue reading...

from Culture | The Guardian https://ift.tt/2rg5QkJ
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more