Skip to main content

Die Hard review – Bruce Willis Christmas classic is still a blast

The deafening shootouts, the uproarious explosions and the killer catchphrase remain gloriously intact as the festive face-off gets a 30th anniversary rerelease

Only the hardest of hearts could fail to enjoy the great 80s action classic, rereleased for its 30th anniversary: with uproarious explosions, deafening shootouts and smart-alec tag lines following the bad guys getting shot. It’s the film that wrested the catchphrase “Yippee-ki-ay” away from Roy Rogers, with a certain vulgar addition. Every pub quizzer knows it’s a Christmas movie, but not many know of its unexpected cinematic use of the Ode to Joy from Beethoven’s Ninth – the terrorists whistle it as they get closer to the target.

Bruce Willis plays New York police detective John McLean, in Los Angeles for an uneasy reunion with his semi-estranged wife, having failed to support her career move out there. While at her office building, owned by a Japanese corporation, the whole place is taken over by fanatically armed German extremists, an unfortunate juxtaposition of Axis powers. The intruders are led by Hans Gruber, a renegade German terrorist with links to Northern Ireland’s “New Provo Front”. It’s a glorious scene-stealer for Alan Rickman, though it’s a credit to Willis’s cheeky charisma that his scene is not in fact stolen.

Continue reading...

from Culture | The Guardian https://ift.tt/2E4Mckj

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV