Skip to main content

Dealing With Clair review – Martin Crimp's fierce swipe at pious yuppies

Orange Tree theatre, Richmond
This revival gains an eerie topicality, yet its ingenious study of moneyed hypocrisy makes it truly timeless

By an extraordinary quirk of fate, Martin Crimp’s 1988 play is being revived at the very moment the unsolved murder of Suzy Lamplugh is once again headline news. While Crimp’s play touches on the theme of an estate agent who mysteriously disappears, its topicality shines through in countless other ways: it is, ultimately, about the moral equivocation of the middle classes, and men’s abuse and belittlement of women.

Property lies at the heart of the artfully told story. Mike and Liz are a yuppie couple anxious to get the maximum price for their London house. So, although they have already accepted an offer, they are open to a higher cash bid from an enigmatic picture-dealer named James. Clair is the estate agent caught in the middle, who becomes the excuse for the couple’s double-dealing and an object of unhealthy curiosity on the part of the creepily intrusive James.

Continue reading...

from Culture | The Guardian https://ift.tt/2Q91IxO

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs