Skip to main content

Fantastic Beasts isn't racist, but JK Rowling should stop tweaking the source material

The latest row over casting in the Harry Potter wizarding world highlights the author’s problem with retroactive character changes

When it comes to Harry Potter, JK Rowling just can’t leave it alone. This is not necessarily a bad thing – fans have got to see Harry and friends all grown-up in the Cursed Child plays – but she’s also managed to muddy the waters by her constant rejigging of the original narrative furniture.

The latest act of retroactive continuity (or “retcon” as it’s become known) to the source material comes via the final trailer for Fantastic Beasts: The Crimes of Grindelwald, which confirmed that the mysterious character played by Korean actress Claudia Kim is in fact Nagini, the same Nagini who was Lord Voldemort’s right-hand-snake in the original books and film series.

Continue reading...

from Culture | The Guardian https://ift.tt/2xZHbUy

Comments

Popular posts from this blog

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV

When Brooklyn was queer: telling the story of the borough's LGBTQ past

In a new book, Hugh Ryan explores the untold history of queer life in Brooklyn from the 1850s forward, revealing some unlikely truths For five years Hugh Ryan has been hunting queer ghosts through the streets of Brooklyn, amid the racks of New York’s public libraries, among its court records and yellow newspaper clippings to build a picture of their lost world. The result is When Brooklyn Was Queer, a funny, tender and disturbing history of LGBTQ life that starts in an era, the 1850s, when those letters meant nothing and ends before the Stonewall riots started the modern era of gay politics. Continue reading... from Culture | The Guardian https://ift.tt/2H9Zexs