Skip to main content

Eminem: Kamikaze review – middle-aged gripes aired with blazing skill

The hooks are middling and the moans at his critics get tedious – but a flurry of brutal potshots at witless SoundCloud rappers prove Eminem can still hit exhilarating heights

Eminem’s 10th album arrived on streaming services, without any pre-emptory buildup, accompanied by a nonchalant tweet from the 45-year-old rapper: “I tried not 2 overthink this 1 … enjoy.” It’s a theme reiterated within the opening seconds of the album: “I’m just gonna write down my first thoughts,” he mutters, “and see where it takes me.”

Not for the first time in his career, it’s easy to feel that Marshall Mathers III is being slightly disingenuous. Kamikaze is fairly obviously the product of a great deal of thinking indeed, largely of the stewing and fulminating variety. Clearly a not man at ease with the sanity-salving concept of Not Reading The Comments, virtually the entirety of its 45-minute running time is consumed with complaining about the cool reception afforded to his last album – 2017’s weak and audibly confused Revival – and bemoaning the current state of hip-hop.

Continue reading...

from Culture | The Guardian https://ift.tt/2wHYpp9
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more