Skip to main content

How did Mission: Impossible become Hollywood's most reliable franchise?

Critical adoration and box office success has met the sixth installment of Tom Cruise’s series, an unlikely 22-year phenomenon that shows no signs of tiring

Let’s take a moment to appreciate the preposterousness of Mission: Impossible. Not the rubber masks or the exploding gum sticks or the nuclear countdown clocks that always stop with one second till death. (“The usual,” Ving Rhames’ Luther Stickell would shrug.) All franchises have their implausibilities, whether it’s Transformers’ sentient cars or the Fast and Furious’ sentient Vin Diesels. But only the Mission: Impossible franchise has gotten better reviews with every installment, climbing its way up the Rotten Tomatoes rankings as though wearing electromagnetic gloves. Bruce Willis can’t make a good Die Hard happen. But this weekend, Mission: Impossible – Fallout had the best critical approval of Tom Cruise’s entire career, better even than the three films that scored him Oscar nominations, and his second-highest box office opening ever, just under 2005’s War of the Worlds. Fallout probably would have beaten that, too, if MoviePass hadn’t glitched.

Related: Mission: Impossible – Fallout review: Tom Cruise remains a pneumatic treat

Continue reading...

from Culture | The Guardian https://ift.tt/2OrftYm
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more