Skip to main content

What clip best sums up the Trump era? An old Mitchell and Webb sketch about WW2

Politicians and media figures are starting to let their roots show, and this meme is about them

Every era gets the art it deserves. So Reaganism got Top Gun, in all its shallow, flashy and unexpectedly enduring glory. The Clinton era produced Jerry Maguire, a movie that seemed so smart in its time, but now just looks platitudinous, yet I find myself falling for its shallow charms again every time it’s on TV. Similarly, Blair had Damien Hirst and Oasis, all of whom seemed seminal in their time, but now just look embarrassingly of their time. The Bush era produced the first of Michael Bay’s Transformers, a crazy mess, the reverberations from which American cinema is still suffering.

Clearly Obama, the sui generis politician, produced the sui generis show, Hamilton, a glorious celebration of multicultural America, and one so good that the first thing Trump did after being elected president was attempt to go to war with it: soon after the 2016 election, the audience at the Broadway show booed the newly elected vice-president, who was in the audience. “Apologize!” tweeted the enraged president. Spoiler: the show did not apologise. I always enjoy it when Trump talks about how he’s going to triumph over this foreign or that far-flung country. It’s like, dude, you couldn’t even get the better of a musical in your own hometown.

Continue reading...

from Culture | The Guardian https://ift.tt/2tOTtgH
Labels:

Comments

Post a Comment

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4
Post a Comment
Read more

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop
Post a Comment
Read more

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV
Post a Comment
Read more