Skip to main content

Nocturne review – a promenade through London's night song

Deptford, London
This tour of the capital’s streets at nightfall catches some beautiful unorchestrated moments from other people’s lives

Tethered together with a rope, we are taking a night-time guided tour of Deptford, south-east London. We start in the library, drop our bags and leave our phones behind. The landscape outside makes a beautiful stage, with boat under brick under crane under star. The leash between us garners some unusual looks, but Krista Burāne and Andy Field’s quiet promenade performance is about seeing, not being seen.

Running for three hours as the sun melts away, Nocturne is slow, at first gloriously so. The group stops to observe a swarm of insects, a fox, a blackbird bobbing across a fence. Animals and humans sharpen under the soft scrutiny Nocturne encourages. Unorchestrated moments drop us in on people’s daily lives: someone practising the piano; friends dancing behind half-drawn curtains; a boy playing basketball. Other than our guides, this piece contains no actors or stooges. The city simply performs its night song. We walk away from the boy but turn back to look. He scores.

Continue reading...

from Culture | The Guardian https://ift.tt/2tEj900

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV