Skip to main content

Matt Haig: ‘I kept thinking, can’t my own mental health advice help me?’

The author on being known for his depression memoir, the dangers of social media, and Winnie-the-Pooh

Matt Haig is a writer of novels and nonfiction books for children and adults, including The Humans and How To Stop Time. He is also the author of Reasons to Stay Alive, a bestselling memoir about his descent into depression, aged 24, and his subsequent efforts to climb out of it. His new book, Notes on a Nervous Planet (Canongate, £12.99), explores how to stay sane in our fast-moving, anxiety-inducing world.

Why did you decide to return to the subject of depression in Notes on a Nervous Planet?
Not wanting to be nauseatingly name-dropping, Stephen Fry warned me after Reasons to Stay Alive not to become Mr Depression, and I thought he must know what he was talking about. So I wrote a book about Father Christmas [A Boy Called Christmas] and a novel, How to Stop Time, and tried to concentrate on other stuff. But the subject kept coming up at readers’ events. What struck me really strongly was, while we acknowledge things like alcohol or drugs can be bad for our mental health, we don’t really understand how more day-to-day stuff affects us. So I thought it might be useful to write a book placing our mental health in the context of 21st-century society.

Continue reading...

from Culture | The Guardian https://ift.tt/2MBnNmz

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...