Skip to main content

Whistle in the Dark by Emma Healey review – satisfying, cathartic mystery

A desperate mother seeks to understand why her teenage daughter briefly disappeared in Healey’s follow-up to her Costa award debut

In a world of ever more convoluted plot twists, here’s a true novelty: a mystery novel where the mystery is set up on the first page, and then straightforwardly solved at the end. Emma Healey is the young novelist whose debut, Elizabeth Is Missing, about an elderly woman with dementia, won the Costa first novel award in 2014. The achievement of this follow-up lies its finely drawn mother/daughter pairing and sharp take on the nitty-gritty of contemporary familial relationships.

The novel is written in the third person, but we see everything from the point of view of the desperately anxious Jen, who “never seemed to get the reaction she expected from other people. It was as though they didn’t think she was the person she thought she was.” Jen is trying not to put a foot wrong, but detonates bombs wherever she goes. Lana is her intensely strong-willed and utterly miserable daughter, prone to self-harm, who at the beginning of the novel has disappeared for four days and been found again. She is the scariest type of adolescent: scathing, rude, demanding, but underneath it all very sad and frightened.

Continue reading...

from Culture | The Guardian https://ift.tt/2GZTKBL

Comments

Popular posts from this blog

Degrees of separation: what connects Seinfeld to Steve Bannon?

From the US sitcom to the far-right rabble rouser, we go down the rabbit hole, thanks to the arrival of Jerry’s show on Netflix Seinfeld All 180 episodes of the 90s’ most misanthropic sitcom have arrived on Netflix, but not everyone is happy. Some viewers have complained that the new transfer puts Jerry Seinfeld ’s show in a different aspect ratio: from an older square format to widescreen … yada-yada … now the picture crops out some sight gags and just seems slightly bizarro . Motion impossible: fallout It’s not the first time modern technology has caused problems. HD TVs can make even visually stunning films look like cheap soap operas, through motion smoothing – a process to reduce blurring (good for on-screen sport). But Tom Cruise was there to save the day: in a slightly awkward 2018 video , he explained how to adjust TV settings to undo this flat fiasco. Continue reading... from Culture | The Guardian https://ift.tt/3mr722c