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Beast review – a dangerous liaison to get your teeth into

Fairytale meets psycho thriller as rising British stars Jessie Buckley and Johnny Flynn find that opposites attract

After the whimsy of last week’s The Guernsey Literary and Potato Peel Pie Society and the real-life dramas of 2017’s Another Mother’s Son, the Channel Islands become home to something altogether more eerie in this Jersey-set debut feature from writer-director Michael Pearce. Charting a turbulent relationship between a cloistered young woman and the vagabond man who turns her world upside down, Pearce’s increasingly intense psychological thriller deftly overturns expectations as it dances between timeless fable, modern romance and murder mystery. Superb central performances from rising stars Jessie Buckley and Johnny Flynn provide the visceral spark that fires the story – a game of psychological cat and mouse in which desire and danger, innocence and guilt, are intriguingly intertwined.

Buckley is on phosphorescent form as flame-haired islander Moll, a twentysomething misfit who is still firmly under the thumb of her domineering mother. While her siblings have long since spread their wings, Moll remains trapped within the family home, helping to care for her ageing father, rigidly controlled by her choir-mistress mum, Hilary (Geraldine James). When Moll meets gun-toting woodsman Pascal (Flynn), his Heathcliff-like charms awaken passionate responses, encouraging Moll to break away from her suffocating home life.

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