Skip to main content

The Immortalists by Chloe Benjamin review – is it better to know your own fate?

Debauchery and wild times turn to frustration and fear after four siblings are told the exact dates on which they will die

If you knew the day you were going to die, how would you choose to live? This is the question at the heart – and on the cover – of American author Chloe Benjamin’s second novel, The Immortalists (her first, The Anatomy of Dreams, was not published in the UK). Given the catchy Hollywood-style pitch, it is little surprise that the book has been snapped up by publishers across the globe and a TV adaptation is already in the works. Less predictable is just how engaging this bittersweet novel turns out to be.

Benjamin’s story starts in a sweltering New York apartment during the summer of 1969. The four Gold siblings are restless. Something, it seems, “is happening to everyone but them”. The oldest, Varya, is 13, the youngest, Simon, only seven, but it is 11-year-old Daniel who hears about the woman on Hester Street who can predict the exact date you will die, and nine-year-old Klara who summons up the courage to knock on her door. The experience unnerves them all. None of them wants to talk about it. Not until nine years later, shaken by the unexpected death of their father, do they finally share their dates with one another.

Continue reading...

from Culture | The Guardian https://ift.tt/2GFJNxj

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV