Skip to main content

Arcade Fire: 'People have lost the ability to even know what a joke is. It’s very Orwellian'

The indie rockers rolled out their last record, Everything Now, with a satirical ad campaign. The result? Mass confusion and bad reviews. As they hit UK arenas, frontman Win Butler is defiant: ‘Let’s see if we can break through the noise’

In a corner booth, Win Butler sits beaming in a broad-brimmed black hat, at his elbow a large martini glass garnished with three fat green olives. It is Thursday evening in Manhattan’s theatre district and Butler has chosen a steakhouse once recommended to him by his late grandfather, the guitarist and swing bandleader Alvino Rey. When he began travelling the world as a teenager, Butler says, Rey would furnish him with tips. “The first time I went to London he sent me to this place that had been around for 100 years, to have the lamb chops.”

Tonight, Butler is fresh from a rehearsal for his band Arcade Fire’s appearance on Saturday Night Live. The day has seen several run-throughs of their single Put Your Money on Me, as well as a skit that references the band’s Canadian roots (though Butler and his brother Will, are from Texas). It will be their fifth performance on the show, including the time they performed as Mick Jagger’s backing band, and Butler describes the series’ appeal. “Monty Python and SNL were punk bands,” he says, his voice quick and high and giddy. “They were part of that movement, but they just got on TV.”

Continue reading...

from Culture | The Guardian https://ift.tt/2IgYwf8

Comments

Popular posts from this blog

Knives Out review – Daniel Craig goes Columbo in Cluedo whodunnit

Craig grills an all-star lineup of suspects when a wealthy novelist is found dead in Rian Johnson’s sharp, country-house murder mystery R ian Johnson unsheathes an entertainingly nasty, if insubstantial detective mystery with his new film, Knives Out. Back in 2005, his debut movie Brick (a high-school thriller) paid tribute to the hardboiled noir genre. Now he does the same thing for cosy crime, although there is nothing that cosy about it. Knives Out has a country house full of frowning suspects, deadpan servants and smirking ne’er-do-wells and an amusing performance from Daniel Craig as Benoît Blanc, the brilliant amateur sleuth from Louisiana who annoys the hell out of one and all by smiling enigmatically, occasionally plinking a jarring high note on the piano during the drawing-room interrogation and pronouncing in his southern burr: “Ah suh-spect far-wuhl play!” Continue reading... from Culture | The Guardian https://ift.tt/2L0NKO4

Thirty Years of Adonis film review: sexually explicit gay drama mixes porn and pomposity

1/5 stars The line between soft-core porn and pompous art-house cinema grows ever finer in the seventh feature by writer, director and producer Danny Cheng Wan-cheung, also known as Scud. Intended as a philosophical statement about the meaninglessness of life, Thirty Years of Adonis instead comes across as a badly misjudged piece of sensationalist filmmaking. God’s Own Country review: gay love story set in the Yorkshire countryside The film revolves around aspiring gay actor Adonis Yang... from South China Morning Post - Culture feed https://ift.tt/2qgQkop

Tracey Emin decorates Regent's Park and a celebration of Islamic creativity – the week in art

Emin and others survey the state of sculpture, Glenn Brown takes his decadent imagination to Newcastle and artists offer northern exposure – all in your weekly dispatch Frieze Sculpture Park Tracey Emin, Barry Flanagan and John Baldessari are among the artists decorating Regent’s Park with a free survey of the state of sculpture. • Regent’s Park, London , 4 July until 7 October. Continue reading... from Culture | The Guardian https://ift.tt/2IDCpPV