Skip to main content

Ant & Dec’s Saturday Night Takeaway: is it time for Dec to fly solo?

Although most will be wishing him well, some ghoulish viewers will be hoping Dec slowly unravels into a performance of phantom limb syndrome

Dec. Dec. Roll it around your mouth a little, try to say it without the tart-sour taste on your tongue: Dec. Just: Dec. “Dec.” Ladies and gentlemen … Dec! Something is wrong. You can feel it, deep in your soul. You can feel the spiritual rift. Something is misaligned in the universe and everything now feels cosmically altered. Tonight, while Ant recuperates away from the limelight following his drink-drive arrest, it’s on Dec to host Ant & Dec’s Saturday Night Takeaway entirely Ant-less. There is something sinister about this, and I hate it.

We have to admit now that Ant and Dec are the bedrock on which British culture is made, and pay them dues accordingly. For blockbuster Saturday night TV everyhosts who leaped fully formed from a harrowing drama scene in which one of them had their eyes shot out, they have between them an astonishingly delicate touch: funny, original, soft with the civilian guests and perfectly hard with the VIPs. They can do everything from T-shirt-and-jacket-clad-giggling presenting (I’m a Celeb, Britain’s Got Talent) to black-tux-and-a-clean-link pedigree stuff (the Brits, The X Factor). They are the best at what they do, but they are very crucially just that: a “they”, a collective. Dec without Ant is the sun without the moon, and this Saturday we will have to stare unblinkingly into it, waiting for our irises to turn white.

Continue reading...

from Culture | The Guardian https://ift.tt/2pQ2dlf

Comments

Popular posts from this blog

One giant leap: meet the new generation of male ballet stars

Beauty, strength and bags of energy: BBC Four’s Men at the Barre documentary gets up close and personal with the Royal Ballet dancers on the rise ‘It’s a golden era of male ballet dancers.” So says Emma Cahusac, the commissioning editor behind a new documentary, Men at the Barre, part of BBC Four’s dance season. It’s not just hyperbole. The young men rising up at the Royal Ballet are some of the most exciting in dance right now: principals Matthew Ball and Marcelino Sambé, first soloists Cesar Corrales and William Bracewell, and first artist Joseph Sissens all feature in Men at the Barre. With the majority of them British or UK-trained, it’s a giant leap from the grumblings of a decade ago about the lack of local dancers making it to the top. I spoke to Ball, Corrales and Sambé by phone, all staying resolutely positive during this enforced break from their intensive dancing lives, but all desperate to get back to work with colleagues they’re certain are something special. “I see so m...

Dita Von Teese: ‘Even when I was a bondage model, I had big-time boundaries’

As the star dives into a giant glass of fizz for her first online extravaganza, she talks about this new golden age for burlesque, why the French Strictly gives her costume problems – and how #MeToo has changed her Dita Von Teese is looking divine. Her lips are that signature red, she’s wearing 1950s cat eye glasses, and her black hair falls in a thick wave across a Snow White skin – and all this on the unglamorous stage of a glitchy Zoom call. Only knowing Von Teese from her femme fatale image, her teasingly aloof burlesque performances, and her time in the tabloids as former wife of goth rocker Marilyn Manson , you might expect an icy demeanour, an impermeable mystique. So it’s surprising to discover quite how normal she is: chatty, self-deprecating, not very vampish. It’s easy to see traces of Heather Sweet, the “super shy” girl from small-town Michigan who transformed into Von Teese. The reason for our conversation is a new film, Night of the Teese, made with director Quinn Wils...