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Apocalyptic goo and Detroit in beats: Jarman award 2020 is shared

Whitechapel Gallery, London Jenn Nkiru’s standout film of Detroit’s techno history evokes the rhythm of fractured black lives in a show with no winner but plenty to mull over A tsunami of black, computer-generated goo rushes along ancient streets, floods a courtyard and inundates a chapel. Fires break out, smoke and flame billowing around minarets and churches. The opening scenes of Larissa Sansour’s 2019 film In Vitro are gripping enough, before you realise that the city in question is an apocalyptic Bethlehem, where time runs in several directions at once, and there’s a big, black, sci-fi sphere haunting the basement of a brutalist sanctuary. All this must be a metaphor for something or other. “Bethlehem,” one of the protagonists says, “was always a ghost town, the present upstaged by the past.” Related: Anatomy of an Artwork: Larissa Sansour’s In Vitro, 2019 Continue reading... from Culture | The Guardian https://ift.tt/2VaP7yB
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The Comeback: the farce with James Corden, Catherine Tate and Stephen Fry on board

Comedy duo The Pin have livened up lockdown with their Zoom send-ups. Now their end-of-the-pier stage debut is being hailed as ‘the cure for theatre’. Is that why so many stars are lining up to get involved? If you’d placed a bet on which comedians would one day open their new farce in the West End – a fond tribute to end-of-the-pier comedy – you wouldn’t have plumped for The Pin. Or at least not until recently. Graduates of elite comedy finishing school Cambridge Footlights , Alex Owen and Ben Ashenden were always brilliant, but never anyone’s idea of heirs to Cannon and Ball. But that’s how they’ve cast themselves in The Comeback, a sort of two/four-hander about a pair of duelling double acts that, Covid permitting, re-illuminates theatreland next month. The show is being billed as “the cure for theatre” by producer Sonia Friedman, who describes its mix of big laughs, door slams and slapstick as a tonic for theatregoers after months bereft of live entertainment. Those who saw its ...
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Director apologizes for unmuted critique of actor's apartment during audition

Tristram Shapeero pens public apology to Lukas Gage after commenting on Gage’s ‘tiny apartment’ without realizing actor could hear him A director who forgot to mute his microphone during a Zoom audition as he criticised an actor’s apartment has apologised and claimed he was just sympathising with the plight of arts workers in the coronavirus pandemic. Related: Actor calls out director for criticizing his 'tiny' apartment during Zoom audition Continue reading... from Culture | The Guardian https://ift.tt/3fyxhyD
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